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Big Eyes (2014)

Dramă | 24 December 2014 (Canada, United States of America)

Ferestrele Sufletului (2014)

Big Eyes

Dramă (Canada, United States of America)

IMDB Adaugă o recenzie

Regizor:

Tim Burton

Scenariști:

Larry Karaszewski, Scott Alexander

Producător:

The Weinstein Company, Silverwood Films, Electric City Entertainment, Tim Burton Productions

Dată lansare (SUA):

24 Decembrie 2014

Dată lansare (Romania):

20 Februarie 2015

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line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-ansi-language:RO;} </style> <![endif]--> </p><p style="line-height: 14.25pt" class="MsoNormal"><span>Walter Keane a devenit o celebritate naţională (în SUA) şi un invitat obişnuit la talk-show-uri în anii 1950, după ce a fost pionierul exploziei de imagini cu copii cu ochi foarte mari. El şi-a folosit abilităţile de marketing pentru a-şi vinde arta ieftin prin magazine şi benzinării din toată ţara. Din păcate, el a pretins că este artist. Adevăratul artist era soţia sa, timida Margaret. Ea picta în pivniţa casei familiei Keane, iar singura contribuţie a lui Walter era să îşi adauge semnătura în colţul de jos.</span></p><p> </p><p> </p>

Recenzii

jen_diva20

08.09.2018

Desi Tim Burton este printre regizorii mei favoriti trebuie sa spun ca Big Eyes a fost slabut...in sensul ca in primele 20 de minute deja iti dai seama ce se va intampla, si in urmatoarele 20 deja prezici sfarsitul; desi actiunea decurge rapid, lipseste ceva. E previzibil, desi nu stiam povestea pictoritei. In filmele biografice morala este importanta, iar aici a fost prezenta prin naivitatea personajului principal, de care sotul ei profita la greu, iar la final isi da seama ca arta este pentru suflet, arta personala nu se vinde, avand un happy ending. Jocul actoricesc a fost un mare plus, Amy Adams seamana teribil cu Margaret Keane, chiar ti se face mila de personajul ei si exista un sentiment de frustrare in timpul vizionarii. E genul de film pe care il vizionezi duminica seara, nu necesita concentrare.

1 0

Deea.bloom

08.09.2018

a fost un film oarecum sensibil, asta in cazul in care empatizezi cu povestea personajului. imi place mult Amy Adams, pentru ca este delicata si trateaza fiecare rol cu seriozitate. filmul o sa primeasca o nota mica deoarece a avut un sir al intamplarilor plictisitor si greoi, plus ca a fost destu de previzibil.

1 0

Utube

08.09.2018

Filmul este o dramă a cărei acţiune începe în anii 1950 în America şi ca şi realizare se doreşte a fi un film biografic în care este prezentată o parte din viaţa artistei pictor Margaret Keane – interpretată de Amy Adams (Leap Year, Man of Steel, Her, Night at the Museum) – acreditată ca fiind creatoarea tablourilor gen „Big Eyes”, care tablouri au creat chiar şi un curent artistic în acest sens. Pelicula se concentrează pe timpul celei de-a doua căsătorii a ei atunci când l-a cunoscut şi s-a căsătorit cu artistul pictor Walter Kane - Christoph Waltz (Inglourious Basterds, Django Unchained, Water for Elephants). Scenariul este bine scris lipsind răsturnările spectaculoase de situaţie sau scenele de acţiune, evident deoarece este vorba despre biografia unui artist, respectiv pictor. Totuşi, chiar şi aşa, în câteva situaţii, credibilitatea acţiunilor este serios pusă la încercare deoarece în câteva din situaţiile critice unele personaje nu acţionează aşa cum ar fi normal să acţioneze orice om de bun simţ în viaţa reală. Iar tocmai aceste aspecte reduc din valoarea scenariului deoarece îi afectează credibilitatea, nu-i aşa, un scenariu scris după o biografie fiind de aşteptat să se raporteze fără echivoc la atitudini, acţiuni şi evenimente logice, perfect valide şi evidente. Realizarea peliculei este unul dintre aspectele reuşite, la acest capitol filmul fiind foarte „colorat”, realizatorul utilizând scene cu cadre foarte colorate, fie peisaje fie clădiri şi detalii urbane. Tot la realizare ar fi de menţionat şi foarte puţinele erori în detalii şi de continuitate, acestea fiind doar câteva şi foarte greu de observat, ceea ce este un lucru bun deoarece ajută cinefilul la păstrarea atenţiei şi logicii în urmărirea atentă a peliculei. Filmul are şi un punct culminant cuprins într-o scenă foarte bine realizată şi are şi un punct de cotitură, spre finalul peliculei. Coloana sonoră este foarte bună, multe din piese fiind interpretate de Lana Del Rey care a compus şi interpretat, special pentru acest film, melodiile Big Eyes şi I Can Fly. Totuşi atmosfera mistică pe care o creează ascultarea melodiei Big Eyes nu se potriveşte cu scenariul filmului care nu are în context nimic mistic sau magic, acţiunea acestuia fiind în fapt realitate pură. Interpretarea actorilor este de cea mai bună calitate. Amy Adams face un rol de zile mari interpretându-şi foarte bine personajul reuşind, prin gesturi, expresii şi atitudini să transmită dincolo de ecran toate emoţiile - frică, bucurie, tristeţe, groază şi speranţă - prin care trece Margaret Keane. Dar de departe cea mai bună interpretare este cea a lui Christoph Waltz care este pur şi simplu extraordinar, atât rolul cât şi atitudinea lui nativă potrivindu-i-se ca o mănuşă reuşind să trezească în spectator sentimente foarte puternice de revoltă împotriva lui. Singurul punct negativ al interpretării lui Christoph Waltz ar fi accentul nativ, uşor german. Finalul este previzibil dar prea scurt, aglomerând o mare durată de timp în câteva minute de peliculă şi în plus, poate intenţionat, este ridiculizat personajul lui Walter. Introducerea la sfârşit a scenelor cu personajele adevărate se doreşte a întări nota de credibilitate a filmului. Vizionare plăcută! Notă: conform mai multor afirmaţii, postate pe internet de către membrii familiei Keane, se pare că lucrurile nu au stat chiar aşa cum au fost prezentate în peliculă, existând foarte multe neconcordanţe cu realitatea, familia depunând un memoriu către casa producătoare în aceste sens.

3 1

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